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The best and worst James Bond movies

 

In 50 years of James Bond, I have analysed and come up with the top 5 best and worst 007 movies.

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BEST

1. Goldfinger

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Investigating a gold magnate’s smuggling, James Bond uncovers a plot to contaminate the Fort Knox gold reserve.

2. Casino Royale

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Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.

3. From Russia with Love

James Bond willingly falls into an assassination ploy involving a naive Russian beauty in order to retrieve a Soviet encryption device that was stolen by SPECTRE.

4. You Only Live Twice

Agent 007 and the Japanese secret service ninja force must find and stop the true culprit of a series of spacejackings before nuclear war is provoked.

5. Skyfall

Bond’s loyalty to M is tested when her past comes back to haunt her. Whilst MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost

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WORST

1. Die Another Day

Pierce Brosnan bids farewell to Bond with a stinker that can fairly be called the franchise’s Batman & Robin. There’s a kernel of an interesting idea in the plot, about a North Korean general—who remakes himself through surgery as a white Anglo businessman—with plans to harness the sun’s rays for a destructive laser.

2. Tomorrow Never Dies

The second Brosnan Bond was a troubled production, with numerous script rewrites, openly unhappy performers and the absence of hands-on producer, who’d recently passed away. So it’s kind of a miracle the movie is as watchable as it is, even though it’s still a pale shadow of Brosnan’s inaugural GoldenEye.

3. A view to a Kill

How do you screw up a Bond film in which both Christopher Walken and Grace Jones plot to flood Silicon Valley by blowing up the San Andreas Fault? Here’s your blueprint. The constant quips of 58-year-old Roger Moore come off like ossified shtick, and his chemistry with Bond girl Tanya Roberts is nonexistent.

4. Live and Let Die

Roger Moore’s interpretation of 007 as a mobile cardboard cutout isn’t helped by the fact that the producers decided to turn his inaugural entry into a blaxploitation movie, spiced with offensive ooga-booga voodoo scenes and cringeworthy comic relief. We’d have been happy to let this one die, frankly.

5. The World is not enough

Having exhausted the novelty factor of a new 007 by this point, you can feel the producers straining to come up with ways to keep viewers interested in Bond 19: Here’s an even more extreme version of a ski chase, one with helicopters, too. Our oil-pipeline plot is torn straight from today’s headlines.

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Milcah Lukhanyu
Milcah Lukhanyuhttps://techmoran.com
I cover tech news across Africa. Drop me an email at [email protected]

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